Final Cut Pro Postings - Page 1
|Earliest: July 7, 2020||Latest: June 8, 2021||Total: 45|
Last week?s Media Monday video featured a cool Page Curl effect. If you haven?t seen the video, check it out.
I searched around to see if there were any generators and I didn?t find anything that would only take the page curl to about 20% and then reverse. I decided to create my own generated effect using Apple Motion.
Page Curl is one of the built-in effects. However, it's a bit tricky to create a slight page curl and then retreat.
Four Things I Learned
If you want to customize how the page curl works, you should turn off the Animate feature in the Page Curl Filter Inspector. This allows you to use keyframes to control the Page Curl to the way you want.
The Page Curl backside is just a mirror image of the front side. There?s no way to change the backside - at least I didn?t see a way to do it..
When animate is enabled the selected object that has a Page Curl connected, will peel away for the duration of the timeline. There is no way to pause it and then reverse with the animate enabled.
Use Page Curl percent as the keyframe. Set the percent to 0 at the start then to a certain point in the timeline change to some value. In my case, it was 50%. Then you can keyframe it to 0 at the end to get the full effect. (That sounds complicated. Just look at the image to get an idea.)
Download A Sample Page Curl Generator
If you want to create your own page curl flip effect in Final Cut Pro or Apple Motions, you can download my version of the Page Curl effect. You can completely customize it using Apple Motion.
To install it, simply uncompress the download file and put it in:
To use it, simply drag it to the timeline as you would any media file. Select the generated clip and in the Properties panel, add the image/movie for the front and back.
You can also edit it in Apple Motion and change the effect of the Page Curl.
Apple Motion Duration
When you create a new project in Apple Motion, there may be times when you want to change the duration. It's really easy to change the duration.
Steps to change the Project Duration.
See the attached graphic for locations.
- Select the Project in the Layers Panel
- Click on the Inspector
- Select the Properties Tab
- Change the Duration value.
Copy Timeline Video
Did you know that you can select a portion of the clip using the Range Tool and then copy/paste it somewhere else? You can!
Copy Timeline Video
Simply use the Range Tool (Keyboard Shortcut R) select the area that you wish to copy then use the Edit menu Copy/Paste to duplicate it elsewhere in your clip.
This is an easy way to reuse part of your video, for example, if you want to playback some of the beginning music at the end.
In Final Cut Pro 10.4.9, Apple introduced a long-awaited feature - the ability to add audio crossfade. This makes it so much easier to create a smooth transition between audio clips.
Final Cut Pro Crossfade works very similar to how video dissolves work.
Adding A CrossFade
There are three ways to add crossfades:
- Using the Modify Menu. Select the audio clips and then go to Modify > Adjust Audio Fades > Crossfade.
- Use the Keyboard Shortcut: Option T
- Apply a transition to a clip. Whatever transition you add, the audio automatically gets a crossfade.
Adding a Crossfade
To add a crossfade you need to select two or more adjacent audio clips or video clips that contain audio. (Note: the clips can't be overlapping.)
Use the Keyboard shortcut: Option T
I saw some YouTube videos hyping this feature as something they have been asking for since version 10 came out. I wasn't all that impressed with how crossfade feature works. I think that crossfade should work regardless of where the two audios are in the timeline.
If you have two audio clips, You should be able to fade into the next clip very easily:
For Example: Like how a DJ will start playing the next song before the current playing song ends.
You would think that's how crossfade works, but it doesn't it just fades one clip until it ends and the second clip fades in. You do have some "dead air" time.
Record USB Cameras in Final Cut Pro
Final Cut Pro doesn?t support using USB cameras as video import. In other words, you can?t just hook up a DSLR camera and record live video through Final Cut Pro.
The option to select the video won?t appear in the import dialog. Only the built-in camera will show in the import dialog. This prevents you from importing live video, from another webcam or from a USB device such as a VCR or legacy video camera.
See this Import Dialog with two USB cameras connected:
According to Apple's documentation:
Connect the camcorder to your Mac using the cable that came with the camcorder, and configure your device for remote control over FireWire, if necessary.
If your computer does not have a FireWire port but does have a Thunderbolt port, you can connect the FireWire cable using an Apple Thunderbolt to FireWire Adapter or an Apple Thunderbolt Display (which also has a FireWire port).
Note: For best results when importing from a tape-based camcorder, it?s recommended that you import the video using the same camcorder that you used to record it.
This apparently true for iMovie. You are not able to select any USB devices to record live video.
Works in Other Apps!
What's Going on Apple?
I am not sure why Apple won't let users record from USB cameras in Final Cut Pro and iMovie. Hopefully, its something that will be fixed soon.
Screen Splitter 2
FCPeffects has a lot of great Titles, Effects and Transitions for Final Cut Pro. These are great additions to help make your videos look more professional.
One of their popular effects is the Screen Splitter 2, which gives you control over how a clip appears in the video. This is an easy way to make a side-by-side video clip.
FCPeffects currently sells the Screen Splitter 2 for $20 - you can get it cheaper if you buy multiple effects and apply their coupons.
Six Things I have Learned
There are 123 Effects in three border type categories: No Border, White Border, Black Border. You can change the border color to anything you want - regardless of what effect you picked.
When using the effect it's helpful to enable the screen you are editing.
You can zoom in and out of a clip by using the inside scale. This helps center the clip content to the appropriate frame.
To get the Brady Bunch effect, you would use the 33 High 33 Wider with a Black Border.
Make sure to crop the clip to the right dimensions (16:9) before applying the effect. If you don't do that you may see some extra black space that can't be corrected using the Inside.Scale settings.
You can navigate through all the effect selections simply by searching for the size you need. So if you need a 100 Wide panel, save time and search for the "100 Wide."
The above shows just some of the design choices that you have.
When working with a lot of files in a project, it can get confusing trying to focus on the important images, videos, or audio clips. This is true especially in the Browser.
In a recent project this was a real issue. I had 20-30 photos and while they were all important, they just weren't important for the task I was working on at the moment.
My Favorite Solution
A quick solution to fix this problem is to use favorites. Simply tag the photos, videos, audio, Compound, and Multicam clips that you want to focus on. Then set the 'Clip Filtering' to only show favorite.
Easy to Tag
In the Browser, simply select the clip that you want to add to your favorite and click on the 'f' key. When you do that the white arrow appears to the right and when you expand it you'll see it tagged as a favorite.
Easy to Remove
To untag an object, simply select it and click on the 'u' key. It's instantly removed.
Change the Browser View
To change the browser view to only show favorite items, simply type in Control f.
To change it back to the "Show All Clips" simple type in Control C,
Audio Fade Shape
Did you know that you can change how audio fades in/out in Final Cut Pro?
You may know about the short cut, Command - A to apply an audio fades to the selected clip.
Did you know that you can control how the fade happens? Simply right-click on the white dot and a selection menu appears giving you some options on how the fade should work.
Now you can change the fade that makes sense for your clip. No more fumbling around with audio points to get the right effect.
Apple Document on the Shapes
Apple documentation explains the options you have with shapes. These correspond to the image that you see above.
- Linear:†Maintains a constant rate of change over the length of the fade.
- S-curve:†Eases in and out of the fade with the midpoint at 0 dB.
- +3dB:†Starts slowly and then moves quickly toward the end. This is the default setting and is best for maintaining a natural volume when crossfading between two clips.
- ?3dB:†Starts quickly and then slowly tapers off toward the end.
If you use multiple cameras to shoot a similar scene, one of the issues is dealing with different color shots. This is because every camera handles white balance differently.
Final Cut Pro has a way to fix the color mix match. It's a simple process, and the good thing is that you can always make adjustments to fix any strange color combinations.
Matching Color Steps
It's quite easy in Final Cut Pro to make two clips the same color. Here are the steps:
- Select the clip that you wish to fix the color.
- Type in Command-Option-M to open up the Match Color functionality.
- The viewer now has a split screen. Using the select tool, skim the clips in the timeline.
- Simply click once and then click on the "Apply Match" button.
Three Things I have Learned
I have found that the Match Color works best when you have two cameras pointing to the same source at the same time. (Similar lighting and angle) If you use a different time for the match, you may not get the optimized results.
It doesn't matter where in the clip you click to get the best match. I would suggest near the entry point if you're merging the two clips together.
When you do a color match there will be no indication of the color change in the Color Inspector. In the Video Inspector, you'll see a "Mach Color" under the Effects section. You can enable/disable the effect here - very useful when you want to see how much improvement the matching color has on the clip.
Matching Crops across Clips
Have you ever wanted to crop two clips with the exact same crop dimensions? Perhaps these are two clips that were shot in 4k and you crop them to 1080p and have the crop location be the same.
You could use compound clips, but if the clips are being used in different parts of the video that doesn't help.
A good solution is to use the Crop info in the Video Inspector. Check out this snapshot:
When you crop an image, the specific crop details are stored in the Video Inspector.
Did you know that you can just copy the configurations to other clips. The bad news is that there's no way to copy the configuration settings - Like a copy/paste function.
You need to manually type in the numbers such as 612.8, 1307.2, 509.8, and 570.2.
I tried writing the commands in BBedit with a tab between the numbers thinking that would make it easier. But Final Cut Pro won't accept that. I even tried with a return break after each value and that didn't work.
You would need to manually write down the values and enter them in each time you want the clip to match a particular setting.